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Generally regarded as the regenerator of the Italian art song
Some of the last music for solo harpsichord composed by Rameau
Mark-Anthony Turnage has written a great number of large-scale orchestral works and operas
the ensemble presents a selection of works that covers most of Berkeley’s creative life from the early Francophile clarinet Sonatine written in Paris while a student of Nadia Boulanger to the inventive Introduction and Allegro for double bass and piano
Venice 1629 RES10201 Generally regarded as the regeneratorThe Gonzaga Band Faye Newton (soprano) Jamie Savan (director & cornetts) Helen Roberts (cornett) Oliver Webber (violin) Theresa Caudle (violin & cornett) Steven Devine (organ & harpsichord) 1629 was a remarkable year for new music in Venice. Heinrich Schtz came to the city to learn of the new Italian style from Claudio Monteverdi and his contemporaries, publishing his seminal first volume of Symphoniae Sacrae during his visit. Further innovative
